90-Degree Tuesday

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July 17, 2019 by admin

Another week has passed since I last visited the park. So, with life’s obligations fast filling my calendar, despite Tuesday’s 90-degree heat, I ventured out.  In the shade of Central Park West, half the begonias have been replaced with coleus, their thirsty green and burgundy leaves already parched.   The roses behind the benches struggled to produce a second crop, but those across from the so-called Peace Rock bloomed abundantly, pink and red, singles and doubles in profusion.

Dominic, the big-bubble man, shook the soapy water from his hand and gave me a fist-bump.  “We were just talking about you, me and Colin, where’ve you been?”

It was just noon and Colin, the cowboy, wasn’t there.  Perhaps he had sense enough to come in from the sun.  Many tourists, sensibly, chose cool marble museums over Bethesda Fountain in this heat, but not all.  My first hula dancers weren’t even tourists, but an au pair and her 2 young charges, a girl of 3 or so and her older brother.  Brother wouldn’t dance, but the girls had a ball at the hukilau; the au pair tipped me with a fiver.

A tall young woman from Montreal got through the vamp to “The Hukilau Song,” and was starting to remove her lei, when a 60-something woman walking by began singing along.  She knew the hand motions too, so I quickly got a lei around her neck and directed the Montrealer to follow the older woman’s lead.  She told me she’d learned it in grade school, in 1959, when Hawaii became a state.

There was a large group of high schoolers from Argentina, many of whom danced a hula and threw money in my case, and another slightly less large group of scouts from Sweden, who neither danced nor donated.

I was relieved to get to the end of my set.  I sang my last few songs to no one, and, precisely at 1:30, said “Aloha, New York” and sat down.  The change was too hot to count, so I dumped it in the shade of my ukulele case and counted the bills, $13.  I packed up the solar-powered hula girls, the leis, CDs and other paraphernalia, by which time I could handle the coins, $3.68.

“I see you counting your money,” the ice-cold-water man said with a grin.  He was hauling a cooler behind him; it bounced over the uneven bricks.  “See you tomorrow.”


Mr. Ukulele meets Mr. Cuatro

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July 11, 2019 by admin

After almost 2 weeks, I returned to the park on a hot and humid Wednesday.  The stella d’oro lilies, bloomed out, had green, thumb-sized pods clustered on the stems; the roses were now mostly hips.  Along the more sheltered path, small displays of pink roses and orange day lilies flashed some color.  Jewelweed, neglected by the volunteer gardeners, popped up through the flower beds and shrubs, 2-3 feet high.  At the bottom of the path, where you cross the road to Daniel Webster, under the pin oak there is a healthy wood anemone, sturdy and tall, bursting with buds.

I heard the amplified guitar from 50 yards away.  Bethesda Fountain were better named Bedlam Fountain today.  A tv production company had erected a wedding venue, with white flower festooned arches, lighting and camera equipment everywhere, attended by a gaggle of gaffers.  The show was “Say Yes to the Dress,” a combination fashion/reality show set in the Kleinfeld Bridal shop, now in its 17th season.  At the water, under a boom, the amplified jazz violinist belted out his tunes.

I headed toward the maple, and the shade and quiet it offered.  Sometime during my first 30 minutes, a group of 5 teens came by.  It was Kaylie’s birthday, so of course she and 2 of her friends wanted to hula.  “A tip for you,” Kaylie said when they were done.  It was my first dollar of the day, long in coming and long to be repeated, by a 30-something dad just walking by.

Singing my way through the third third of my session, I didn’t see the large, bearded man approach with his personal entourage until he was gesticulating at me to play.  Before I’d barely begun, he spoke Spanish to his fellows, from which I fished out the word, cuatro, a Latin American string instrument resembling a ukulele.  (Cuatro means four.)  I said, “Si,” and offered him my uke.  He played for a while, then handed the uke to one of his buddies, who showed even more proficiency.  There was much joking and gesticulating, which the cameraman captured while swooping in and circling the rotund ring leader.

At the end, one of the men came forward and gave a dollar to the second cuatro player, who thought it quite the joke.  Eventually, he gave the dollar to me.  Each of the men threw money into my case and fist-bumped me.  Their 6 dollars tripled my take to $8 for the day.


Busker Management

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June 25, 2019 by admin

Color has returned to the Women’s Gate.  Swathes of yellow stellas, red and pink begonia and emerging red roses have joined the gomphrena and cleome that I saw being planted almost 2 weeks ago.  The dogwood blossoms have transformed into grape-sized seed pods on long stems.

Orange day lilies tower above the rock of peace; I can’t read the plaque on that rock without a shudder or a laugh at all the wars these so-called peaceful countries have waged since joining with John Lennon to “Give Peace a Chance.”  Dusty pink astilbe and yellow archangel round out the catalog of flowering plants.

As I descended the stairs to Bethesda Fountain, I located the source of the amplified guitar I was hearing.  It’s Colin, the singing cowboy, returned to the park for the summer, playing “Layla.”  I sat down next to him, waiting for him to finish.  Two policemen on horseback clopped through the fountain area and up the path toward the boathouse.  Colin kept singing.  When they’d passed, we started to laugh.  You never know when the authorities will enforce the rules about amplification.

Colin was done, but someone else was waiting to play, a percussionist with drumsticks and a tambourine.  He said he’d only play for 30 minutes, so I moved to the opposite side of the fountain and warmed up.

After 30 minutes, he was gone and I moved back to center stage with $3 in my case.

I’d spent more time with 2 walkaways than with all the people who gave me money combined.  A young Bangladeshi man, wired to his phone with a headset, was live-streaming to his family back home.  “They think you’re terrific,” he said.  “Say hello to them.”  I said hello.  I sang a song.  I put a lei around the young man’s neck and had him dance.  “I love New York,” he said.  “Everyone has been so kind and helpful.  And now here you are, so welcoming to me and my family, thousands of miles away.”  He shook my hand vigorously, then moved on.

A group from the photography club of PS 7, in the Bronx, also stopped to dance.  Six kids danced to “The Hukilau Song” while their classmates took photos.  After the dance, their adult supervisor hurried the kids along to the next photogenic venue.

At center stage, I laid out my paraphernalia again, then heard a violinist tuning up.  He too was amplified.  I approached and told him I’d been waiting for the drummer to leave; he could move to the opposite side of the fountain if he wanted.  “Oh, while we’re talking,” I said, “that amp…”

“I know, I know,” he interrupted me.  “I’ve already been told.”

I began singing, and before long a man walked by and put a dollar in my case.  Soon after, a kid of 8 or 9 put in another dollar.

A little girl stopped to inspect my case.  “Have you got time for a hula today?”  Her mom and dad were nearby; they nodded their permission and gave her a dollar for me.

A little kid smiled at me and gave me 10 cents.

A 40-something from North Carolina, for whom this was not her first hula, danced an expressive, sultry hula, then gave me a dollar. She was followed by a preteen whose hula was somewhat stiff. She also gave me a dollar.

A group of kids from California walked by.  “Has this group got time for a hula today?”  The tour guide posed the question to his charges.  No one seemed to want to dance, until a young man of 15 or 16 stepped forward.  When no one joined him, I said, “It’s you and me, man.”  I’d barely begun “The Hukilau Song” when some other kids walked up, put on leis and joined the first in a hula.  Altogether, 5 kids danced, ending in wild applause from their friends.

“You deserve a tip,” one of the kids said, dropping a handful of change into my case.  “You are awesome.”  A couple of other kids also ponied up.  I tipped my hat to the tour guide.

A 12-13 year-old boy broke away from a gathering of kids with a $10-bill in his hand.  “You need change?” I asked him.  He looked at me as if I were crazy.  “Great, thanks a lot,” I said.

“Congratulations.”

A young girl from Boston gave me a dollar for a hula.

Another young girl came up with a dollar.  Her name was Caitlin, and she had recently moved from Arizona to Florida.  She danced to “Little Grass Shack,” and had done so with such delight her grandmother was moved to give me another buck.

After my set, I moved to the shade and counted out $21.38.